Sweet Waters: sense-ing legacies of slave-ownership.
When the warm winds blow from the West and it rains in Bath or Bristol, when the river swells with the tide and as the water turns the Saltford millwheel we sense legacies of slave-ownership. As we recognise the interconnectedness of things, we become mindful of our heritage. Everything is connected.
A walking arts project Sweet Waters is about legacies of British slave-ownership as revealed through a cycle of participatory performative walks and creative dialogues in Bath and along the River Avon.
From rain to river to sea to sky and back: heritage, memories, stories, languages..
Wayfaring in cycles of Water, Life and Trade exploring legacies and revealing resonances
Water: something like 60% of the human adult body is water. An essential element: water powered mills manufactured the brass destined for the slave trading ships, raw copper and coal was transported on the river, brass and humans were shipped across the oceans. Water was essential for plantation irrigation and country park decoration. Sugar and other slave produced goods returned by sea and river. The River Avon washed away the sweat of the brass workers, returning slave ships were scrubbed down into it, while the tears of those who lost loved ones to the slavers flowed to the sea in the rivers of West Africa. In the water: blood, vomit, excretia, the dissolved and digested flesh of those who resisted, sea-sick, home-sick, tears of grief, tears of despair, blood of punishment and cold sweat of survival. In the vast Atlantic Ocean generations of lives thrown overboard as damaged goods, food for fish and cowries. Water has memory.
Life: In the water life and death. For those enslaved, the crossing from West Africa to the Caribbean was terrifying and deadly, many were killed or drowned, women and girls were raped, even the smallest acts of resistance suppressed with the utmost brutality. Those who survived were sold to plantation owners and most were put to work producing sugar, cotton and tobacco. Enslaved people, any children they produced and, in turn, their children, were the ‘property’ of the slave-owner. Some escaped and some rebelled. All found ways of resisting.
Trade: products made and transported on the River Avon shipped to West Africa and sold for enslaved people, materials produced and the wealth generated return on the tide up the River Avon. Sugar. Tobacco. Cotton. Timber. Speculation. Credit. Banking. Insurance. Wealth fuelling industry and embodied in country houses, landscaped gardens and fine buildings. In Bath it was the sugar, the brass, the capital, the Hot Waters of the famous spa attracted those in good health for pleasure and those sick with tropical diseases for the Cure, all to network and display riches derived from an economic model based on unpaid labour. An incomplete cycle that drained people, talent and resources from West Africa and the Caribbean to accumulate wealth in Britain. At the abolition of slavery in the British empire in the 1830s the government set up a £20 million pound compensation scheme for slave-owners, enslaved people received nothing.
- Global warming begins at the hearth of the slave-owning nations, hurricanes today drawing up the warmed Atlantic waters.
- Colonial assertions of difference and white skinned dominance feed deep and long-lasting racism
- Inherited trauma of enslavement, abduction, rape, violence and degradation
- Weapons and munitions from England sold in West Africa escalate violence, war and dislocation.
- Cultures of addiction, sugar, rum, tobacco, tea, coffee, chocolate
- Slave-owner wealth embodied in landscape, country houses and cityscapes.
- Enslaved people who survived, carried beliefs, skills, stories and embodied memories into the new cultures they fashioned.
- Echoes of enslaved people’s resistance and survival resonate in popular culture
More images from the walks can be found here
Sweet Waters: walks
Walking, as an act of free will, offers non confrontational, collaborative, embodied, reflective, creative opportunities to consider legacies and generate resonances.
A cycle of participatory performative walks along the River Avon from Bath to the sea; listening to the waters, sensing legacies of slavery and slave ownership. A series of creative and themed interventions and conversations took place:
Sweet Waters: soundings
Richard gathered field recordings, walkers shared social media, sketched and wrote; we gathered stuff as we walked. The sound and video presented at an installation at Saltford Brass Mill was a first attempt to work with this wealth of material and weave it through the research which underpins the project.
The Mill is a relic of an industry that operated between Bath and Bristol and once produced brass goods to be traded for humans, including manillas, the currency of the trade.
One last water wheel still turns at Saltford.
In developing the installation Richard was joined by Jeff Boehm gathering additional field recordings of the water powered hammer mill at Finch’s Foundry in Devon and developing his own response to the themes.
Resonating from the cycle of walks and repatriating sounds of the manufacture of goods destined for the West Coast of Africa, Soundings responded to a watery sonic environment.
Richard produced this sounding:
more media to follow