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The Plaqued and the Unplaqued

10/30/2016

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Two walks feature in an upcoming micro published book and exhibition in Bath. Find another Bath  44AD November 15 -20. The Plaqued and the unPlaqued was a wayfaring experience in the enchanted city discovering who got tagged in Bath's late Victorian plaquing frenzy. We shared knowledge and quizzed passers by as to who these people were and what they did and why there were in Bath. We also explored some of those who didnt get plaques, many of Baths Last Legal Slaveowners were keen to be memorialised in death but even the infamous William Beckford although he gets the plaque it does not record the source of his vast wealth. Our addiction to sugar,  obesity and diabetes could be considered a part of his legacy. Some strange neighbours for William Wilberforce and Jane Austen.
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From the Unplaqued a further walk takes us To The Burial Grounds,: from a wooded and picturesque Victorian graveyard where more of Bath's great and good are buried and memorialised to the workhouse field on the edge of town.  Here in the Bath Union Workhouse burial ground over 3000 men, women and children are buried without memorials or a even plaque on the site. Lumps in the grass mark last resting places. For the efficiency of the grasscutting even an evolving central cluster of random stones has recently been removed. Here Lorna Brunstein made a small and moving performance,  "From Field to Plate' which is documented  for FindanotherBath. as " such lovely earth to lie in"  bearing witness at the end of the walk.
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Sense-ing the legacies of slavery and slaveownership

4/21/2016

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A new project beginning to shape up developing work on Bath's Last Legal Slave Owners and the idea of a larger river walk sense-ing the legacies of  slavery and slaveownership.

A disenchanted walk in time, space and place.

The River Avon powered the brass mills between Bath  and Bristol that produced the brass manillas that were the currency of the slave trade. Here in appalling conditions workers produced Guinea pots for sale in West Africa. The water drove hammers that the workers used to skillfully batter sheets of brass into shape.

...and more...those boats from Bristol did not set off for West Africa empty.
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And neither did they return from the Caribbean just with sweet things and leaves to smoke. Recceing and working this out at the moment. Join me share what you know, lets work this out...contact me on the form below. No spam I promise.
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Join me on foot or online on Sunday 1 May walking from Avonmouth to Bristol...up the gorge senseing the legacies of slavery and slaveownership

Meet 11.00 Avonmouth train station. All day walk approx 10 miles.
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Walking out on enchantment

9/11/2015

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A YEAR WALKING OUT ON ENCHANTMENT

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An open invitation to join a walk: on foot, online or both.


Join me on a monthly walk exploring enchantment, heritage and the body. A series of critical walks exploring ‘hidden’ heritage, walks to work, walks that were or are work, walks that make connections and resonate on human rights issues.

I am currently experimenting with strategies to resist immersive romantic/arcadian walking practices. So rather than walking to commune with nature and all that involves I am interested in walking out of necessity or coercion, from walks to work to walks at gunpoint, the walks of refugees, the walks of those who have to. I am interested in developing a disenchanted walking practice, aware of enchantments but never totally immersed in them. I am not quite sure what that will be and my intention is to use the coming year to discover that, and I hope you will join me for some or part of that journey on foot or online or both.

My walking practice is digitally connected and this invitation is open to those who may wish to engage online as well as those who would like to physically walk. I am particular keen to walk with those who would like to experiment with social media and social networking in this context. Walkers of all kinds welcome.
  • First Sunday of each month.
  • Walks more or less in Bath, but not always.
  • Sometimes long sometimes short.
  • Open to suggestions.

The first walk will be on Sunday 4 October, to experiment on and with the recently released National Trust walk from the City of Bath to Bathwick fields.

email for further info.
walknow.post@gmail.com
Times, dates and reports live and other wise will be published across these platforms

https://twitter.com/walknowlive                         @walknowlive

on my sketch blog  https://rswpost.wordpress.com/
and tidier reports eventually here:                 

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A few hours walk on the former Olympic site

5/18/2015

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Leading not leading, facilitating perhaps, a walk with the Living Maps network on the former Olympic Park, Stratford. I only ever saw the games on the tv and the site under construction from the window of the huge shopping centre that got finished first.

Under the tarmac Neolithic rituals, Bronze Age burials and filled in waterways. Workplaces, homes and allotments.


The Essex Sewer plaque seemed like the only acknowledged remnant of what had been there before.  In that huge Victorian sewer London's stink flowed out in a great tubular causeway
over the River Lea. Now kindly renamed the greenway.  The whole site now soviet boulevarded sterile landscaped dug over by archaeologists and stripped clean of its memories. A policed heritage whose year zero was London 2012. No space even for Battle of Britain relics let alone speedway or travellers.
Challenging thoughts from Nick Papadimitriou. The day ended with a screening of the film about him and his walking. Epic.

Here's the social media trail on Viewranger
and here it is on Social Hiking, a bit of random pinging but there's me plus 3 other walkers here...check out the audioboom links!
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White Horse Walks

2/22/2015

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whitehorsewalk website and apps launched

Three years work comes to an even wider audience: way back long ago when it all began I was checking out locative media and all the possibilities of  tweets and photos with their geotags developing into something else. I was walking the Ridgeway developing a commission from Wiltshire Council. One dark winters morning leaving the car park at Avebury our walkers included  the Director of the Salisbury International Festival, Maria Bota and artist Ali Pretty. One walk led to another just as one foot leads the other and having completed the Ridgeway Project working with the photographs of Fay Godwin, I found myself high on the Wansdyke with a crowd of walkers discovering that it was walking art.. Walking the Wiltshire White Horses. Ali Pretty and I came back the following year for a great collaboration which grew last year to include the Uffington White Horse.

Finally last week we launched a website with a 100 miles trail round the 9 Wessex White Horses, a short circular walk near each one and a series of day routes linking them all up. At each white horse a sound park experienced via an app. Lots of images from our 3 years on the North Wessex downs all integrated with graphics drawn from Ali Pretty's silks. A great project
the social media is lives on and we are still walking.

Here's a report of the launch:
  http://www.flicwiltshire.com/News/Education/App-launches-for-White-Horse-walks.aspx

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Walking with the ghosts of Grantham

11/10/2014

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Thatcher, Newton and a small town on The Great North Road....some notes from an evaluation of In the Footsteps of Newton, walking with Ali Pretty, in Grantham.

Commissioned as part of the Gravity Fields Festival,   Ali Pretty leading with the analogue element, and Richard White with the digital
. An installation followed at Grantham Museum with the banners, short films, flickr feed and sounds produced by local sonic artists.



In the Footsteps on Newton uncovered many rich seams both locally for Grantham and more broadly in that whole process of discovering, rediscovering and imagining and creating a sense of belonging.

The work continues to be experimental and developing a model of practice with social media, visual arts and live interventions within a walking and heritage context. On the first day, the intervention by actor, Jack Klaff, in character as Isaac Newton took, the walk to another performative level that I had not anticipated.  We really tapped into some spectral presence through the visit to an old house, already old when the young Newton was there and then walking along the old tracks talking with Newton 'himself'. On the second day the walk began from Newton’s ‘birthplace’ where a large group of scientists, historians, broadcasters and their children joined us.  The walk back into Grantham began to look like a medieval procession, I was really pleased that we managed to connect with such a diverse group of people.

I would have liked to have engaged even more, for more of the ‘experts’ to have walked with us, to have  made more of the live, performative element on the walk, especially at the points of intervention. Raising the flag from the top of he church was a treat that only a small group of walkers enjoyed. The closure at the end with the walkers and the parade of banners fell flat and for the only time in the walk I wondered who that bit was for. The two online presences we were working with, the festival web site and the Newton Tree Party blog did not integrate well, live, although the latter offered some good post walk reporting. The Twitter and Facebook following and engagement was however hot with the twitter reach in the 1000’s and Facebook close behind. Using Social Hiking via Viewranger was valuable live and in delivering a social media trail at the end.

In my mind Grantham was sadly and deeply associated with Margaret Thatcher and all that she and her like have inflicted on this country. The town, at first impression, resonates with the shockwaves of her actions, ironic that the former public library was the back drop to the outdoor events. But as we got down to work and started  walking and talking I discovered some sense of community resilience was re-emerging very much around these creative engagements. There was a playfulness with history and a wakening of local pride in Newton..as shown by the shop window displays and the bemusement of the waiting staff in Pizza Express....in whose basement, it is said, are to be found the cellars of the old apothecary's shop where Newton stayed as a boy. The walking project become part of a wider process of rediscovering local history. When our residency coincided with a Heritage Open Day, I loved the continuing worship at the altar of the Newton cult. I too stood on the step ladder to trace with my finger the Newton graffiti. Wondering why his name was scratched in such a modern hand and not with the finely crafted serif of his peers….and there in that old school building I heard quite how divisive the local campaign for a statue to M Thatcher had been.

And thus I learned more about this town on the Great North Road and the people who had passed through and stayed over. From Dickens to the great Tom Paine, who had actually worked in Grantham for a while. So many travellers up and down the old road and the rail, I applauded the old gentleman who demanded that fellow passsengers doff their hats as they sighted the spire of Grantham church.  Then at some point in the post privatisation aftermath capital left the town and depression set in. In reaching back into history it seemed that through Newton, Grantham was reconnecting with its past. Walking back to my hotel on the last night the echoes of funfair screams, loud pop music, bright lights and gravity defying rides was the perfect end to a great days walking. Returning through the spectacle.

The following day, I stood on the bleak privatised station and read the plaque recording the glories of the speeding steam train, Mallard, on the long straight near Grantham years ago. My train was late. A final reminder from M. Thatcher.

I cant say that my mental association between Thatcher and Grantham is now broken but it is perhaps more nuanced, and it is after all not Grantham’s fault. What is important and surprising is the discovery of the town and the significance of its location to the people who visit and live there.  This developing performative walk model is becoming an effective tool in that process. I experienced a town re-imagining itself and I was as surprised as the staff at the faux LA local motel were, to discover how much more there is to this small town once on the Great North Road.

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